Gary’s “outlaw” persona was initially forged through his incisive and often provocative lyrics, which he
fearlessly showcased at appearances for civil rights, labor, anti-war, LGBTQ+ rights, and progressive causes.
But for Gary, “outlaw” was not merely a musical genre; it was a way of life wrapped in “songs powerful enough to
get you killed” — quite literally!
Targeted by the remnants of
the COINTELPRO policy of
spying on and disrupting the
lives of U.S. citizens, he was
driven “underground” for a
decade where he continued to
Hell, there should be a Ballad of Gary Green
-- Pete Seeger
“
Honored in The Congressional Record
and given a special citation by the
Governor of Maryland, Gary Green is
widely known as a genuine "character."
He once was regarded as one of
America's most intense folksingers &
rock poets praised by the likes of
Johnny Cash, Alan Ginsberg, and the
“outlaw” country music movement.
as well as civil rights & labor
unions. Friendships with
Johnny Cash, Waylon
Jennings, and other country
music “outlaws” plus his
performing at rallies for
A second-generation marketing innovator, he continues to make his presence known as a living and true renaissance boomer of music, business, technology, literature,
finance, production, international business development, and casino gaming. In the 1960's he purportedly had one of the 22nd highest IQ's ever recorded (based on the
1960 Terman and Merrill revision of the Stanford-Binet Intelligence Scale); a badge that Gary scoffingly rejects as “pure hocum”.
As a labor union leader, he was one of the masterminds of the single largest organizing drive in American history;
so effective that 30 years later a major Las Vegas slot machine manufacturer canceled a casino speaking
engagement, fearing that their employees might be inspired to sign union cards after hearing Gary’s life story.
On the cutting edge of the 1970’s avant-garde twilight zone between coming-of-age baby boomers and the rest
of
America, one week Gary would be at the side of a veteran member of Congress giving policy or strategic advice
and the next week in Greenwich Village playing guitar in one of the dimly lit, crowd-packed coffee houses. The
Baltimore Sun best described Gary's ability to touch, convince, and motivate broad-based audiences: “Mr. Green
had them: a young couple with a three-week old baby, a couple well into middle age and approximately equal
numbers of those who seemed to remember the Fifties, and those who looked to have been children in the Sixties, not
of
them."
Born in North Carolina and raised in the hills of Tennessee, North Carolina, and Georgia, Gary Green is a braided
paradox of simple, working-class Southerners and the high-tech, urban intelligentsia. With a southern charm more akin to John "Doc" Holiday
and Rhett Butler than The Cable-Guy and the redneck set, he is often referred to as one of the last southern gentleman scoundrels.
He served his apprenticeship singing folkie-acoustic versions of Hank Williams, Waylon Jennings, and Johnny Cash songs
in New York City folk circles and as a daily newspaper reporter in the South covering the goriest of murders, drug raids,
and government corruptions. Hence, others knew him as an award-winning
journalist that had twice been nominated for the Pulitzer Prize ... before the age
of thirty. From organizing a topical music project with Broadside Magazine, Pete
Seeger, and the late folksingers Phil Ochs and Rev. Fred Kirkpatrick, to allegedly
"running guns" for Native Americans at the siege of Wounded Knee to passing
in and out of the "Berlin Wall" in old East Germany, to midnight drug raids in the
company of heavily armed southern cops, to early morning Washington
meetings with members of Congress and heads of state, to creation of new
Internet technologies to being a professional gambler and later a top casino
executive; the world of Gary Green is a world of adventure.
His roman-a-clef music autobiography, "THE LEGEND DIES ON" offers further insight into his extraordinary life and career.